10 Publications
2023
Inclusive Music Histories
Smith, Ayana O
United Kingdom: Taylor & Francis. 2023. CMS Emerging Fields in Music. | Book
2022
Race and Representation in Baroque Opera—Some Thoughts on Pedagogy, Scholarship, and Performance
Smith, Ayana O
Historical performance (Bloomington, Ind.), vol. 3, (no. 1), pp. 1-24, 2022. | Journal Article
2021
Editorial
Smith, Ayana O
Eighteenth Century Music, vol. 18, (no. 2), pp. 245-251, 2021. | Journal Article
2020
Shadow Culture Narratives: Race, Gender, and American Music Historiography
Andre, NaomiVon Glahn, Denise and Smith, Ayana
Journal of the American Musicological Society, vol. 73, (no. 3), pp. 711, Sep 22, 2020. | Journal Article
2018
Dreaming with open eyes
Smith, Ayana O
Oakland, California: University of California Press. 2018. | Book
2017
HISTORICAL PERFORMANCE: THEORY, PRACTICE, INTERDISCIPLINARITY INDIANA UNIVERSITY BLOOMINGTON, 20–22 MAY 2016
Smith, Ayana
Eighteenth Century Music, vol. 14, (no. 1), pp. 165, 2017-03-00. | Journal Article
2010
The Mock Heroic, an Intruder in Arcadia: Girolamo Gigli, Antonio Caldara and "L'Anagilda" (Rome, 1711)
Smith, Ayana
Eighteenth-Century Music, vol. 7, (no. 1), pp. 62, 20100301. | Journal Article
2009
On "Tupos": Iconography and Verisimilitude in Early Arcadia
Smith, Ayana
Music in Art - International Journal for Music Iconography, vol. 34, (no. 1-2), pp. 20, 20090401. | Journal Article
2005
Blues, criticism, and the signifying trickster
Smith, Ayana
Popular Music, vol. 24, (no. 2), pp. 191, 20050501. | Journal Article
2001
Opera in Arcadia: Rome, Florence and Venice in the primo settecento (Dissertation)
Smith, Ayana (2001).